Deliver the legendary British warmth and tone with a few twists into your sounds. Get T-RackS EQ 81 authorization number, full version license for free!
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T-RackS EQ 81 Review at a Glance
T-RackS EQ 81 is an audio plugin tool that is based on another classic piece of hardware whose character was instrumental in shaping the sound of many hit songs. The sound engineers were able to recreate all features and functions of the original model with this plugin, which can be used on almost any DAWs including Logic Pro X, Garageband, FL Studio 12+, Ableton Live 9+, Pro Tools 11+, Cubase 8+ etc.
the EQ 81 can be considered the evolution of its older brother, the EQ 73. However, T-rackS EQ 81 is a great tool for anyone who needs to adjust the sound of their track. There are four independent bands that can be adjusted, plus high and low pass filters, which allow you to home in on the exact frequency that you need adjusting. This module is particularly useful when precise adjustments are needed while still maintaining tone and warmth in your signal path.
This module is based on another classic piece of hardware whose character was instrumental in shaping the sound of many hit songs from iconic musicians and producers; the EQ 81 (figure 4.56) can be considered the evolution of its older brother, the EQ 73. There are a few twists which make the EQ 81 capable of delivering a voice of its own. The most evident difference here is in the versatility of the EQ section, sporting four independent bands (high / low shelving, plus two midrange peaking filters) rounded out by high and low pass filters; this module is particularly useful when a more precise intervention on a track is needed, still maintaining tone and organic, analog warmth throughout the signal path. As for the EQ 73, a special attention was given to the perfect matching of the EQ curves, but a step further was taken into the modelling of the analog preamp section in all of its colorful nuances.
Features
Key Features of T-RackS EQ 81
- IN: Sets the input level of the modeled mic preamp section. Increasing gain will result in more level and progressively more saturation of the processed signal, up to a gritty level of distortion. The range is +/-20dB.
- OUT: sets the output level of the module. It can be used to compensate the variability of the input level in both positive or negative. The range is +/-20dB.
- Hi-Pass Filter: sets the frequency of the Hi-Pass filter. The slope of the filter is 18 dB/Oct. Available frequencies are: 27Hz, 47Hz, 82Hz, 100Hz, 270Hz. OFF position switches the filter out of the signal path.
- Low-Pass Filter: sets the frequency of the Low-Pass FIlter. The slope of the filter is 12 dB/Oct. Available frequencies are: 3.9KHz, 5.6KHz, 8.2KHz, 12KHz, 18KHz. OFF position switches the filter out of the signal path.
- Low Band Freq: sets the frequency of the Low Shelf Band. Possible values are: 33Hz, 56Hz, 100Hz, 180Hz, 330Hz. OFF position switches the band out of the signal path.
- Low Band Shelf/Bell: switches the Low Band from shelving to peaking mode with a constant 0.2 Q.
- Low Band Gain: sets the gain of the Low Band. Available Range is +/- 15 dB.
- Low Mid Band Freq: sets the frequency of the Low Mid Band. Possible values are: 220Hz, 270Hz, 330Hz, 390Hz, 470Hz, 560Hz, 680Hz, 820Hz, 1000Hz, 1200Hz. OFF position switches the band out of the signal path.
- Low Mid band Gain: sets the gain of the Low Mid Band. Available range is +/-10 dB.
- Low Mid Band Hi-Q: switches the bandwidth of the Low Mid Band from a constant 0.5 to a gain dependant 1.0 with a slightly more pronounced gain range.
- High Mid Band Freq: sets the frequency of the High Mid Band. Possible values are: 1.5KHz, 1.8KHz, 2.2KHz, 2.7KHz, 3.3KHz, 3.9KHz,4.7KHz, 5.6KHz, 6.8KHz, 8.2KHz. OFF switches the band out of the signal chain.
- High Mid Band Gain: sets the gain of the High Mid Band. Available range is +/- 10 dB.
- High Mid Band Hi-Q: Switches the bandwidth of the High Mid Band from constant 0.3 to a gain dependent 1.0 with a slightly more pronounced gain range.
- High Band Frequency: sets the frequency of the High Band. Possible values are: 3.3KHz, 4.7KHz, 6.8KHz, 10KHz, 15KHz. OFF position switches the band out of the signal path.
- High Band Gain: sets the gain of the High Band. Available range is +/- 15 dB.
- High Band Shelf/Bell: switches the Low Band from shelving to peaking mode with a constant 0.2 Q.
- Phase: inverts the phase of the processed signal.
- EQ: turns the EQ section on or off; when EQ is off signal is still passing through the preamp section.
- ON: turns the whole module on or off.
- RESET: when clicked, this control brings the settings of all of the parameters back to their default. Clicking again will bring the controls back to their last state, in case you accidentally hit this button or changed your mind.
- L=R: links the two channels for stereo operation: all parameters affect the two channels in the same way to maintain a consistent stereo image.
- L/R: click on the L or R icons if you want to dial in specific EQ settings for L and R channels independently.
- M/S: this option uses a Mid-Side matrix to insert the stereo EQ in your processing chain. This means that you can independently equalize the Center or the Sides of your stereo program. The L and R icons are replaced by M and S in this mode. Click M to set the EQ for the Center (Mid) of your stereo image or S to set EQ for the sides
Requirements
To run #THE SOFTWARE with optimum reliability and performance, your system should match the following requirements:
System Requirements for Windows OS:
Minimal: Intel® Core™ 2 Duo or AMD Athlon™ 64 X2, 4 GB of RAM (8 GB suggested), Windows® 7, Windows® 8 or Windows® 10. Requires an ASIO compatible sound card.Supported Plug-in formats (64-bit): VST 2, VST 3, AAX.
NOTE: EQual processor requires an OpenGL 2 compatible graphics adapter.
System Requirements for Mac OS:
- Minimal: Intel® Core™ 2 Duo, 4 GB of RAM (8 GB suggested), macOS 10.10 or later.
- Supported Plug-in formats (64-bit): Audio Units, VST 2, VST 3, AAX.
Download
Not sure if #THE SOFTWARE does what you need? Try it out now. Please feel free to download T-RackS EQ 81 here. This audio plugin has been tested professionally and we are assured that no viruses, Trojans, adware or malware contained.
Buy Now
You can get T-RackS EQ 81 for just $99.00. But, through THESOFTWARE.SHOP, you can also get T-RackS EQ 81 full version for free in the Giveaway tab below. This offer is available for a limited time!
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T-RackS EQ 81 Giveaway is available now FREE for a limited time!
Through January 31, all users of T-RackS, including Custom Shop, can get the versatile British EQ model for FREE! See instructions below.
Also, check out the latest software giveaways that are available here on the software giveaway page.
- Works within the T-RackS CS Standalone application and as plug-in
- High-quality oversampling
- High-precision and high-transparency digital processors
- Accurately analog-modeled vintage classic devices
- Full-latency compensation support
- Supports sampling rates up to 192 kHz
- DSM™ and SCC™ proprietary IK technologies for extremely accurate digital models of analog hardware devices
- Native compatibility with 64-bit applications and operating systems
- T-RackS 5 is a 64-bit application and requires a 64 bit CPU and Operating System.
- Mac requirements: Intel® Core™ 2 Duo, 4 GB of RAM (8 GB suggested), macOS 10.10 or later.
- Supported Plug-in formats (64-bit): Audio Units, VST 2, VST 3, AAX.
- Windows requirements: Intel® Core™ 2 Duo or AMD Athlon™ 64 X2, 4 GB of RAM (8 GB suggested), Windows® 7, Windows® 8 or Windows® 10. Requires an ASIO compatible sound card. Supported Plug-in formats (64-bit): VST 2, VST 3, AAX.
HINTS: Read instructions from IK Multimedia on the promotion page to get the T-Racks EQ 81
NOTES:
– All prices shown here are in listed USD (United States Dollar).
– Such promotional programs are subject to change without notice, from time to time in our sole discretion.
– Data may vary based on different systems or computers.
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